FURRY is an exploration of excess, spectacle, and the fractured nature of contemporary identity. As a dense visual collage, the work deliberately overwhelms the eye with the relentless saturation of images in modern culture. It merges fragments of classical art, consumer iconography, and surrealism to question what is authentic in an age of curated chaos.

Primal instinct and manufactured desire. Carnival grotesques, weaponized glamour, and abstract forms collide, evoking a world where entertainment and menace coexist, mimicking the sensory overload of digital life, while the interplay of beauty and absurdity critiques the commodification of bodies, pleasure, and power.

FURRY resists linear interpretation. It invites contradictions: opulence and decay, innocence and corruption, humour and threat. In doing so, it asks a simple but urgent question: in a culture obsessed with surfaces, what remains beneath the fur?